I'm A Frayed Knot!

It is just 6 months since Norwich Castle re-opened after the multimillion£££ restoration. We were delighted to have early view tickets, because we hold annual passes. I was blown away by everything there was- not just the phenomenal embroideries, but also the bright colours, and the wooden furniture, and the ironwork on the doors. I knew that I wanted to represent this project on one of my two-by-two patches. It has taken me till now, the very last patch, to actually do it. I have been planning this for weeks and weeks...

Historians discovered that the medieval castle builders used lots of bright colours, and although we are used to dark oak church doors, when first installed they would likely have been glorious primary hues, with black ironwork. This new door was designed by a Norfolk company, and the ironwork created in the forge at Holkham. 

It is the Bigod Door, named after Baron Bigod, first Norman Earl of Norfolk in the 12^th C, when the castle was built. This door is oak, covered in gloriously bright blue leather. I was amazed by the way that strips of metal were twisted and knotted, similar to Celtic knots and then riveted to the wood. The metal work forms hinges, handles, and general decoration.

I copied one particular knot last autumn and decided to recreate it with fabric and thread. It proved quite a challenge. I abandoned the idea of satin stitch, then thought about couching down some cord. Perhaps a black shoelace on blue fabric? It didn’t look right. I did have a book of small linen samples. I opted to use a neutral colour for the patch, with the knot in a bright blue cord.

Having worked out the knot – under/over/under/ over I pinned it to a piece of corrugated card and adjusted the loops as best I could, then transferred cord carefully to fabric and stitched it down[blanket stitch] with two strands of floss [blue/ lilac/ purple random dye]
Then I added NORWICH CASTLE, REBORN 2025 in back stitch in plain purple floss.

The first one, on darker linen, had the ends of cord going over the edge, and the lettering was perhaps a little too close to the fold. And in the wrong light, you couldn’t read it anyway! There were problems with the cord ends fraying too. So Kirsten is getting the lighter one  which I consider to be better of the two!

This knot was hard enough to create with cord, I am in awe of a blacksmith who can make such a knot with hot twisted metal – whether in 1100 or 2020!   

Notes:

• The knot is the one at the top of the vertical decoration which runs up the centre of the door.
• Baron Bigod is now remembered in the wonderful Brie style artisanal cheese, made at the Fen Farm Dairy in Suffolk
• This is my last patch. Kirsten's should arrive very soon and we will get on with stitching the 'rubric' and making up the project. Hoping to be done by Easter.
• I'm becoming quietly obsessed with ancient needlework, but equally fascinated by the technological developments which mean my new sewing machine can do so much more than any I have ever used before...It's all about finding the best in both disciplines I think.