Utter Fabrication!

The phrase means "a lie -  totally made-up". But the other week, Bob and I visited an utterly fabulous exhibition of fabrics from all around the globe. Entitled "journeys" and displayed at Blickling Hall, our local NT property, it was just a part of a lifetime's collection of fabrics, amassed by Karun Thakar. Born in Kenya, growing up in Delhi finally settling in the UK, this man has been obsessed with textiles since childhood. There is a helpful explanatory video here [I'm putting KTs quotes in red.]We began in the entrance hall- KT says "the hall has a lot of portraits of men...so we wanted to bring the presence of women's work into the hallway"

We saw  kanthas, and baghs - the former , bedquilts made from saris or repurposed fabrics, the latter, head shawls worn at festivals and weddings. A riot of colour, a diversity of stitching- representing the realities of rural and local life. 'In the textiles, needles became tools of agency and remembrance for women'

In the Brown Drawing Room, KT chose to display lots of Indian textiles. in 1938, Philip Kerr,Blickling's last owner, invited Jawaharta Nehru and his daughter Indira Gandhi here, to discuss the future of an independent India. A Kashmir shawl, Gujurat hangings and a palampore [block printed cotton wall hanging] The British East India Company [founded 1600] exported Indian fabrics to Europe, and they became instantly fashionable. I was sorry that no reference was made to the Norwich Shawl [a number of reviewers have picked up this point!]

The prints in the Print Room were mostly collected  by an earlier owner of the Hall, John Hobart on his travels in Italy. John had eight children, four of whom died very young. He never recovered from this loss. KT chose to display this unfinished Italian silk-on-linen embroidery to represent their unfinished lives..."I am fascinated by unfinished textiles because they represent all sorts of possibilities...a thing of curiosity that leaves the gaps for the viewer to fill in"

In the South Drawing Room, KT reflects colonial trading power. The East India Company brought in the chintz printed fabric in the 1600s but this affected English and French producers. The Calico Acts were passed in the 1700s - and European textile production, like these French toile du Jouy designs flourished, whilst increased colonial activity in the subcontinent decimated the Indian industries.

In the Upper Ante Room Blickling has a collection of Japanese object - here KT displayed some of his kimonos [the guide told us he has thousands in store!]

In the Peter the Great Room, there were, unsurprisingly , many robes from the Russian Empire - " I want to show the diversity of people living across Russia in the 1800s...ikat robes, and Arabichi coats

The Long Gallery and Library housed some fabulous African printed fabrics - kente cloth made from silk and cotton traded across the world as early as the 1500s/

The whole thing was a riot of colour, and beautiful stitchery. As I went from room to room ,there were many other visitors [mostly women], admiring, discussing, comparing the textiles. It was good to talk with other people who share my passion for working with fabric, restoring old materials, reclaiming forgotten techniques ....

It is a good, worth seeing. But Bob and I both felt the information panels were a little short on facts- which places in Russia were represented by those robes,  how did the designs link across the world? Where are they telling the story of how the boteh motif of India appearing on the Norwich shawl, and then on Paisley shawls and now often called a Paisley Pattern? what was the symbolism of the different colours used?  I did feel sorry for the volunteer NT guides, because many of the visitors were asking these questions, and they were not sufficiently equipped to answer them. 

But that deficit means I only award 4*

It's Too Darn Hot!

 I am up to my eyes in making bears, with frequent breaks to wash my hands and rehydrate. The neighbourhood cats are sheltering in their homes, avoiding all hot roofs [tin or otherwise] The solar panels are quietly generating lots of energy. 

Here's a brief excerpt from Kiss Me Kate. 

I am left with two questions...

1. If it was that hot, why were they all leaping about so much?
2. Have I left it too late to take up tap dancing?

The Simple Things

I have blogged about Edith Schaeffer and her book"The Hidden Art Of Homemaking" before. This gifted mother of four, [and wife of Christian philosopher Francis Schaeffer] wrote this book in 1971. Her premise is that in the ordinary everyday routine, we can find "hidden art". That with a little time and effort we can transform the quotidian into something beautiful. I used to have this page from "Simple Things" magazine pinned up in the kitchen.

I thought about this on Sunday. Jon and Jess popped round for an impromptu lunch before going back to London. I had a small amount of ice cream in the freezer - what could I add to make a "proper pudding" for our Fathers' Day lunch? 

One Kiwifruit, one banana, one easy-peeler and three strawberries,. Less than five minutes with a sharp knife and a pretty glass plate... [and a little lemon juice to stop the bananas from browning] 

Much prettier! Very healthy too [if you ignore the scoop of ice cream!] 

After lunch I showed Jess how to make a daisy chain bracelet.

The end of a lovely weekend with this lovely little girl. 

Once my photos are sorted, I will tell you what we did on Saturday. 

But if I'd had more time and some blueberries... 

PS Thanks for all the encouraging comments yesterday about minimal housework!

Is There Life After Housework?

I read this book back in the 80s. Three things I recall

1. Use a squeegee after every shower, it will keep the glass and walls sparkling [at the time I did not have a shower - but in the years since, I have stuck rigidly to this habit - it works
2. When mopping the floor, keep clean water and wrung out dirty water in two different buckets. I use a pad type mop, and have a clean dry pad for drying and finishing off, rather than wringing out the dirty pad. 
3. I did not like his "life's too short" model - with frequent use of single use disposables, both for cleaning and decor. [Especially "don't put all the Christmas stuff back in store, ditch and and buy new next December"] What about saving the planet, Don?
   However, about the same time I read the book, I often walked the girls home from school along with another mum and daughter. One Friday she said "I feel so guilty, I haven't washed down the skirting boards this week"  I cheerfully responded "Don't worry, I haven't done mine for well over a fortnight, and the world hasn't ended!"  [truth be told, I couldn't actually remember when I'd last done it, it may have been after the flying chocolate mousse incident the previous autumn...I was a busy and stressed Mum back then] 

The more I think back to those sunny days, making models, visiting NT properties, climbing over the cannons at the Maritime Museum, enjoying Holiday Clubs and Pancake Parties, the more I realise Mr Aslett was wrong. The question ought to be "Have you enjoyed life before the housework?" 
Obviously there are some chores which happen as part of the daily routine. Habits like pulling out the wheelie bin on Wednesday. loading the dishwasher after the meal, dropping dirty clothes straight in the bin as you take them off, squeegeeing the shower before you get out and dry yourself, putting the milk jug back in the fridge promptly - especially in hot weather...

But the sun's shining and you want to go for a walk, take the grandchildren somewhere fun, or attend a free organ concert in the Church - so forget washing down the skirting or re-organising the sock drawer! 

Another Mum I knew back then said that she had never seen her mother do housework. Cooking and clearing up meals yes - but cleaning, washing, ironing - Mum did all those other tasks once the three children had gone to bed. I couldn't get my head round that - didn't vacuuming keep them awake? If she ran the washing machine at night, when and how did she get the laundry dry? 

According to a survey two years before the pandemic, the average British woman spends 2 hours a day on household chores, and men a little less than that [i.e. a total of 14 hours a week] . I couldn't find out if the 2 hours included meal prep&clearing. If it does, then that seems about right for us. In retirement it is easier to share out the jobs [and he is a better cook than I] Many working women, like my daughters are well organised, busy juggling family, work and home. I know it is tiring for them [so grateful that my two always make family needs their #1 priority] Perhaps I should keep a time sheet for two weeks and see what gets done and when. But not this week - I'm off to London on Friday morning! 

How have your housekeeping habits changed over the years?

Do you have any help? [humans or gadgets]

Ten Years On

It is ten years this week since the nation voted, and the result was Brexit. I decided to repost today the prayer which I shared on the Sunday after the vote [Written by the churches' Joint Public Issues Team] as I believe it is still very relevant.

God of every nation and people,
At this historic moment we pray for all who are affected by the decision that we have made.
Whatever differences this has revealed within our own society,
    may they not eclipse what we have in common.
Where the narratives of political debate have caused harm and division
    help us to reclaim the true values of our shared humanity.
Where exaggeration and distortion have generated suspicion and fear
    may truth and honesty restore hope and goodness.
We pray for all the nations of Europe
    that you will help us to find ways of living and working together
    to pursue the mercy and justice that you require.
We recommit ourselves – together – to the values of your eternal Kingdom
    and pray that along with all people
    we might help your world become more as you intended.

Jellyfish, Jelly-ish

Two news stories recently about Jellyfish. Rosie mentioned she had seen one on the sand on a trip to the Norfolk coast last month. She is wise enough to know the look-but-don't-touch rule. "National Coastwatch Brancaster" issued a warning in the Eastern Daily Press about these giant jellyfish

"As summer warms our seas, an all-you-can-eat plankton buffet triggers a massive jellyfish baby boom. Because these guys are 95% water and shockingly terrible swimmers, they can't fight the ocean currents. Combine that with strong onshore winds and high spring tides, and they get pushed right into shallow waters, leaving them stranded when the tide goes out." The authority has described the surge as a totally natural event and has urged those visiting Norfolk's beaches not to touch the animals. Dead or alive, these gelatinous tourists can still pack a painful sting. 

Meanwhile, in Wales, the BBC reports a number of velella vellela  jellyfish appearing on the beaches across Anglesey, Gwynedd and Tenby. The popular name for this beautiful blue babies is "by-the-wind-sailors" and they are closely related to the better known, much larger,  Portuguese Man O'War . Jellyfish are freefloating hydrozoans. These ones are about 7cm across.
They have a small sail like structure which catches the wind and moves them, in shoals, across the surface of the ocean. They sparkle in the sunlight. Their sting is milder, but nonetheless painful. 
Such fascinating creatures - very popular in children's cartoons [eg SpongeBob SquarePants] and on CBeebies...

I've Sent A Cable

 A cable [or cablegram] was the historical name given to a message sent by an undersea cable. Isambard Kingdom Brunel built the iron-hulled SS Great Eastern, which laid the first transatlantic undersea cable in 1866. My great great grandfather was on the crew of the ship at the time, and very proud of being there.
For my latest DoubleKnitting contribution I decided to do some cable knitting.

I have not knitted any cable since we retired. My last bit of cable work was at the end of lockdown in September 2020. I knitted one of my niblings a cable jumper for her new baby. It was from my much used Sirdar Baby book, and has a run of two cables centre front. Almost identical to #27 Double Cable in the book! I am really pleased with the definition of this latest pattern – it astounds me that just swapping the positions of 6 stitches can make such a huge difference. So much texture, you can follow the twisting ‘ropes’ all the way up. So very clever.

Pinning the square to the bedspread made it much easier to photograph. I did two identical green squares, Kirsten opted for pattern #34 Allsorts, but instead of using a selection of different colour yarns with a black line between, she used balls of random 'self striping' yarns. She says "I used a fluffier yarn which slowly changes colour, so I didn’t do the stripy pattern in the instructions but just kept on going. I think I prefer the more muted shades, and I like the way the fuzziness blurred the stitches and the colour changes.
I found it a bit tricky to keep track of where I was. The double decrease every other row makes it more complicated than just marking the centre stitch and decreasing from there as the actual centre stitch gets knitted into the decreases along with the stitch on either side."  she added
"When I’m knitting mindless squares, I mark the centre stitch and just K2tog immediately after on every row. Much easier, and no thinking required. There’s quite a difference between ‘mindful’ knitting and ‘mindless’ knitting! "

The way you start with casting on two edges and then keep reducing at the centre to make the diagonal is intriguing - ending with just one stitch to cast off at the top corner.